Philippe de Champaigne
1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.

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Philippe de Champaigne Saint Etienne du Mont oil painting


Saint Etienne du Mont
17th century Medium oil on canvas cyf
Painting ID::  90178
Philippe de Champaigne
Saint Etienne du Mont
17th century Medium oil on canvas cyf
   
   
     

Philippe de Champaigne Ex Voto de oil painting


Ex Voto de
1662(1662) Medium oil on canvas Dimensions 165 x 229 cm cyf
Painting ID::  94896
Philippe de Champaigne
Ex Voto de
1662(1662) Medium oil on canvas Dimensions 165 x 229 cm cyf
   
   
     

Philippe de Champaigne Nicolas de Plattemontagne oil painting


Nicolas de Plattemontagne
oil on canvas Date 1654(1654) cyf
Painting ID::  97265
Philippe de Champaigne
Nicolas de Plattemontagne
oil on canvas Date 1654(1654) cyf
   
   
     

Philippe de Champaigne Jean Baptiste de Champaigne oil painting


Jean Baptiste de Champaigne
oil on canvas Date 1654(1654) cyf
Painting ID::  97266
Philippe de Champaigne
Jean Baptiste de Champaigne
oil on canvas Date 1654(1654) cyf
   
   
     

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     Philippe de Champaigne
     1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.

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